Η Ανασκαφή: Πρακτικές μιας κοσμολογικής αρχαιολογίας στη σύγχρονη εικαστική πρακτική Η σκιά της προσωκρατικής σκέψης περιπλανάται σήμερα γύρω από την εικαστική παραγωγή. Μια αυξανόμενη διάθεση αυτογνωσίας, οδηγεί τους καλλιτέχνες τα τελευταία χρόνια

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Life Without Tragedy, 2019 Picnic Point, Governor's Island Developed by Christian Kotzamanis, commissioned and produced by Onassis Culture, as part of the Onassis Festival 2019: Democracy is Coming, co-presented by Onassis USA and The Public Theater,

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Untitled ('Life without tragedy' series), 2015 (plywood, wood, acrylics) Goat Song, 2019 (Metal, wood, acrylics, textile) "Bag of Wind" 2018-19 (Wood, metal, leather, acrylic)

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Life Without Tragedy, 2019 Picnic Point, Governor's Island Developed by Christian Kotzamanis, commissioned and produced by Onassis Culture, as part of the Onassis Festival 2019: Democracy is Coming, co-presented by Onassis USA and The Public Theater,

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Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval

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Paul Celan

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Pattern Radio: Whale Songs Hello! A few of us at Google, in collaboration with research oceanographer Ann Allen at National Oceanic and Atmospheric Administration (NOAA) Pacific Islands Fisheries Science Center (PIFSC ), created a website called Patt

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When Whales and Humans Talk Sometime in the late 19th century, an Inupiaq carver fashioned this amulet for an umiak out of driftwood, carving the likeness of a bowhead whale, its blowhole symbolized with a piece of obsidian. As with other whaling amu

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Kostis Velonis, Thinking on Your Feet (Partial Reconstruction of Joaquin Torres Garcia Toy Figures as an Instrument of Research for Politics), 2017 Wood, acrylic, stucco, cement 172 x 30 x 47 cm

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An unprecedented exhibition in Chile brings together the work and legacy of Joaqu i n Torres Garc i a Centro Cultural La Moneda (CCLM), a space inaugurated in January 2006, constitutes a landmark within Santiago de Chile's civic quarters. Its program

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